Mallory Catlett · Daniel Fish · Jim Findlay · Findlay/Sandsmark
Immediate Medium · Aaron Landsman · Okwui Okpokwasili · Radiohole
January 9-13, 8pm
TICKETS GO ON SALE NOVEMBER 15
Jim Findlay’s Electric Lucifer will premiere at The Kitchen in January 2018. Electric Lucifer is an electronic rock opera about suffering and redemption based on the 1970s concept albums of the late Canadian electronic music pioneer Bruce Haack.
The Kickstarter campaign to support and enhance the production elements of Electric Lucifer is currently live and ends on October 27, 2017. Donate to the project »
Electric Lucifer is written and directed by Jim Findlay, with music and lyrics by Bruce Haack, musical adaptation and additional original music by Philip White, choreography by Raja Feather Kelly, set and video design by Jeff Sugg and Findlay, lighting design by Masha Tsimring, costume design by Enver Chakartash, sound design by Philip White, and dramaturgy by Ian Belton. The cast features Okwui Okpokwasili as The Electric Lucifer, Robert M. Johanson as Jesus, Brendan Connelly as the Archangel Gabriel, and Seth Braley, Nikki Colange, and Jake Denney as Lucifer’s “Silverheads.” The band includes Connolly, Shayna Dunkelman, Nathan Koci, and Lester St. Louis.
Electric Lucifer is a Creative Capital project. It is funded in part by the Foundation for Contemporary Arts, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, PS122 and the Nancy Quinn Fund. Electric Lucifer was developed in residencies at Mount Tremper Arts and the Collapsable Hole. Produced by Collapsable Giraffe and Joel Bassin.
The Collapsable Hole is a cavernous performance space in the basement of Westbeth Arts in New York City’s West Village. It is run by a group of eight artists and artist-run organizations. Originally founded in Williamsburg, Brooklyn in 2000 by Collapsable Giraffe and Radiohole in what was a run down garage, the first Hole was a home for "an approximate inventory of New York's most innovative artists” (Village Voice) and had a run of 13 years. After a few years in the wilderness, the Hole has been resurrected in new form but with its irrepressibly unruly ethos intact.